Director — VFX Supervisor
Victor Rivas
Twenty-one years shaping the image from behind the pixels.
Now stepping behind the camera.
Marvel · Netflix · HBO · Disney · Apple TV+
01 Upcoming as Director
< - Click (IMDb Pro)

The Little Big Couple
Short Film — Animation
After spending thirteen years cleaning the very bullring where he lost his fame, a forgotten Spanish matador unexpectedly finds himself back in the spotlight after saving a clumsy young woman from a raging bull… unleashing a brand-new and chaotic adventure.
02 Twenty-One Years in Visual Effects
The One and Only Ivan HPA Award · Compositor · DISNEY+
The Gilded Age Compositing Supervisor · HBO
Las Super Estrellas de la Lucha Libre Visual Effects Supervisor
Daniel El Travieso Una Aventura Familiar CG Supervisor
Raising Kanan Compositing Supervisor · STARZ
Thelma the Unicorn Senior Compositor · NETFLIX
Delivered for Netflix, HBO, Marvel Studios, Disney, Apple TV+, Paramount, Starz, NBC, FX and Hulu — with studios including MPC Film, The Mill, Alkemy X, Ingenuity, and Mikros Animation, Tower 33 VFX, Modern Post, and much more.
Click to see more: IMDb
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03 Get to Know Me

My path has always been driven by leadership, storytelling, and the opportunity to guide creative teams beyond Visual Effects alone. While VFX became the foundation that shaped my career and artistic eye, my long-term vision has always extended toward directing and building stories that emotionally connect with audiences on a much larger scale.
My true passion lives within feature films, television series, and animated films — spaces where creativity has no limits and where I can fully express ideas, emotions, worlds, and characters through cinematic storytelling.
This does not mean I am leaving Visual Effects behind, nor stepping away from VFX Supervision. Visual Effects will always remain part of who I am creatively and professionally. It is the language through which I learned composition, light, scale, realism, and imagination. That experience continues shaping the way I approach filmmaking as a whole.
What I seek now is the opportunity to tell my own stories — the stories that inspire me, challenge me, and push my creativity to its highest level.
One of my clearest goals is reaching the Academy Awards one day — whether as Best Director, Best Visual Effects, or simply being part of a film recognized as Best Picture.
I understand this is a long process that requires years of sacrifice, discipline, growth, and persistence. No matter how long it takes, I will continue building toward that goal with dedication, passion, and relentless effort.
For me, this journey has never only been about visual effects. It has always been about storytelling, leadership, and creating films that leave a lasting impact.
21
1
YEARS IN FILM
HPA AWARD
LET'S TELL A STORY
Open to directing collaborations, representation, and conversations about the work.














